Gentofte/Jægersborg, Jægersborg Kirke: Unterschied zwischen den Versionen
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− | Mads Damlund: ''Om levende blev hvert træ i skov – et portræt af Jægersborg Kirkes orgel.'' (dänisch, englisches Vorwort u. einige zusammenfassende Beiträge)<br>Beiträge von Mads Damlund, Frans Brouwer, Svend Prip und Hanne Sander; mit Audio-CD (s.o.). [http://www.slotsforlaget.dk/omtalejaegersborgorglet.htm Slotsforlaget], Store Heddinge 2019, ISBN 978-87-970044-1-8, [https://drive.google.com/file/d/1xTrFGKRxgbDIYyEYfDaypaoKk9VWGt-z/view?usp=drivesdk Inhaltsverzeichnis (PDF)], 207 Seiten, erhältlich auch über die Kirchengemeinde | + | Mads Damlund: ''Om levende blev hvert træ i skov – et portræt af Jægersborg Kirkes orgel.'' (dänisch, englisches Vorwort u. einige (hier zusammenfassende Beiträge (hier zitiert))<br>Beiträge von Mads Damlund, Frans Brouwer, Svend Prip und Hanne Sander; mit Audio-CD (s.o.). [http://www.slotsforlaget.dk/omtalejaegersborgorglet.htm Slotsforlaget], Store Heddinge 2019, ISBN 978-87-970044-1-8, [https://drive.google.com/file/d/1xTrFGKRxgbDIYyEYfDaypaoKk9VWGt-z/view?usp=drivesdk Inhaltsverzeichnis (PDF)], 207 Seiten, erhältlich auch über die Kirchengemeinde |
[http://orgbase.nl/scripts/ogb.exe?database=ob2&%250=2004925&LGE=EN&LIJST=lang s. orgbase.nl] | [http://orgbase.nl/scripts/ogb.exe?database=ob2&%250=2004925&LGE=EN&LIJST=lang s. orgbase.nl] |
Version vom 26. Dezember 2023, 16:08 Uhr
--tbc--
Adresse: Søndersøvej 5, Jægersborg, 2820 Gentofte, Dänemark
Gebäude: Evangelisch-lutherische Jægersborg Kirke (erbaut 1939–1941; Innenausstattung von 1965)
Weitere Orgeln: Hauptorgel, Truhenorgel
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Orgelbauer: | Marcussen & Søn, Aabenraa (DK) |
Baujahr: | 1944 |
Geschichte der Orgel: | 1982 Restaurierung durch Poul-Gerhard Andersen |
Temperatur (Stimmung): | leicht ungleichstufig |
Windladen: | Schleifladen |
Spieltraktur: | mechanisch |
Registertraktur: | mechanisch |
Registeranzahl: | 25 |
Manuale: | 3, C–f3 |
Pedal: | C–f1 |
Spielhilfen, Koppeln: | Koppeln: I/II, III/II, II/P, I/P |
Disposition
I Rygpositiv | II Hovedværk | III Brystværk | Pedal |
Gedakt 8' [1]
Principal 4' [2] Rørfløjte 4' [3] Quintatön 2' [4] Scharf 2f [4] Krumhorn 8' [5] |
Principal 8' [6]
Rørfløjte 8' [7] Oktav 4' [8] Gedaktfløjte 4' [9] Quint 22/3' [4] Oktav 2' [4] Mixtur 4f [4] Trompet 8' [10] |
Gedakt 8'[11]
Spidsgedakt 4' [12] Principal 2' [4] Nasat 11/3' [13] Cymbel 1f [4] Ranket 16' [14] |
Subbas 16' [15]
Oktav 8' [16] Gedakt 8' [15] |
Anmerkungen:
(Firmenunterlagen Marcussen vor August 1944, vor Änderungen, n. Damlund)
- ↑ C–H Oregon Pine, c–f3 Eiche
- ↑ C–h1 Kupfer, Prospekt, Forts. 55% Zinn
- ↑ C–dis Oregon Pine, e–f3 35% Zinn
- ↑ Hochspringen nach: 4,0 4,1 4,2 4,3 4,4 4,5 4,6 C–f3 55% Zinn
- ↑ Becher 55% Zinn
- ↑ C–h Kupfer, Prospekt, Forts. 55% Zinn
- ↑ C–g Kiefer, gis–f3 35% Zinn
- ↑ C–f Kupfer, fis– f3 55% Zinn
- ↑ C–A Holz, B–f3 35% Zinn
- ↑ horizontal, Becher Kupfer
- ↑ urspr. Quintatön 8' (C–H Holz, c–f3 55% Zinn), C–f3 Zinn
- ↑ C–f3 35% Zinn, C–g zylindrisch
- ↑ C–f3 35% Zinn
- ↑ Hochspringen nach: 14,0 14,1 Becher Eiche
- ↑ Hochspringen nach: 15,0 15,1 C–f3 Eiche
- ↑ C–f1 Kupfer, tlw. Prospekt
- ↑ Becher Metall
Bibliographie
Anmerkungen: | Die Gesamtkosten betrugen 39.147 DKK (incl. 6 % Verteuerung wegen einiger Änderungen (2 Register Brustwerk, Koppel BW/HW, Pedalumfangserweiterung, HW: Trompete 8' statt Ranket 16' u.a.)
Mads Damlund: Om levende blev hvert træ i skov – et portræt af Jægersborg Kirkes orgel. Prolog, Vorwort und Epilog: PROLOGUE each leaf as a tongue resounding, they could not outdo the Lord our King his mercy all speech confounding. N.F.S. Grundtvig: from 3rd verse of the hymn We Welcome with Joy this Blessed Day
Inside it the organ hides a secret. „These years are hard on Denmark“, the inscription reads. For the country was occupied when the organ was being built, and in the organ workshop in Aabenraa the organbuilders could hear English bombers on their way to Flensburg with their ominous cargo. But above the entrance of the organbuilding, great letters read SOLI DEO GLORIA. Glory to God Alone. And so even the best cannot be good enough. This is a portrait of an unusual instrument, and of those who built it, played it and sang with it.
One bright summer day I paid my first visit to Jægersborg Church and entered a gloomy, dark organ loft. Working here must be dreadful, I thought, but changed my mind when I began playing the organ. It possessed a strong personality, magically attracting the player, at the same time being somehow enigmatic. Now, after more than 13 years as an organist of the church, and in connection with the 75 years' jubilee of the organ, the idea came to me to write a book, telling and documenting the story of this organ. This story has three leading characters, visionary and strong-willed men – the organbuilders Poul-Gerhard Andersen and Sybrand Zachariassen, and Finn Viderø, the organist. Together they created the Jægersborg organ in years of great transformations within art, architecture, churchmusic, building and organplaying. The story begins with the evolution after the First World War, leading to the Organ Reform Movement. Next comes the story of building the Jægersborg organ, unfolded in private letters of the organbuilders from 1942–44. Two chapters at first deal with organs of great importance of shaping the Jægersborg organ, followed by a guided tour through all of the technical details of the organ. We follow the further development of the three key figures, other persons around the organ, and what later happened to the instrument. Historical recordings in Jægersborg have their own chapter, including especially Karl Richter's LP-editions along with instances of recent music for the organ. Three guest-writers also have their own chapters. Svend Prip, former cathedral organist in Haderslev, writes about the influence of the Jægersborg organ on later organs, and Frans Brouwer, Dutch organ scholar, writes about the Jægersborg organ and the influence of Danish Organ Reform Movement abroad. Hanne Sander, the former vicar of Jægersborg, relates how theology and music in Jægersborg Church go together.
Industrialization during the late decades of the 19th century resulted in organs produced by a host of specialists with no one having the full survey. The symphony orchestra was the great example, and the organ workshops grew into factories, producing bigger and heavier instruments far from the idea that an organ is a unique work of art. But a change arose after the First World War - The Organ Reform Movement, seeking to revive the true sound of organs from renaissance and baroque. The organbuilding firms, Frobenius and Marcussen, are situated far from each other in Denmark, and each of them were influenced by different currents within the Organ Reform Movement: Frobenius in Copenhagen followed the Alsacian movement of Albert Schweitzer, and Marcussen in South Jutland was generally characterized by the Hamburg-Lübeck organ-meetings in 1929, of which Hans Henny Jahnn was one of the leaders. In 1922 Sybrand Zachariassen, just 21 years old, became the leader of Marcussen & Son, being next generation of the family-owned firm in Aabenraa. This part of the country had after the First World War changed from German to Danish rule, and his firm worked hard to find its bearings toward the Danish market. A circle of persons contributed to evolving the instruments of the Marcussen firm, among them the conductor and organist Mogens Wöldike, and later his student, the
organist Finn Viderø. Having heard Schweitzer playing in Copenhagen, Viderø was influenced by Schweitzer's ideas of the neo-baroque style. Technically, Videre was a competent organplayer and soon created an image of himself as a pronounced organsoloist, with a radical style.
Much has happened since the Jægersborg organ had its heyday. each leaf as a tongue resounding, they could not outdo the Lord our King his mercy all speech confounding. |
Literatur: | Mads Damlund: Om levende blev hvert træ i skov – et portræt af Jægersborg Kirkes orgel. (dänisch, englisches Vorwort u. einige (hier zusammenfassende Beiträge (hier zitiert)) Beiträge von Mads Damlund, Frans Brouwer, Svend Prip und Hanne Sander; mit Audio-CD (s.o.). Slotsforlaget, Store Heddinge 2019, ISBN 978-87-970044-1-8, Inhaltsverzeichnis (PDF), 207 Seiten, erhältlich auch über die Kirchengemeinde |
Discographie: | s. Website der Kirchengemeinde
Inhalt der CD des Buches von M. Damlund (s.o.; Registrierungen sind mitgeteilt): Chor und Orgel (Janne Korsager Solvang og Synnöve Ekström (Sopran), Mette Bjærang Petersen (Alt), Love Persson og Kristoffer Emil Appel (Tenor), Kasper Borchersen (Bass), Ruben Munk (Orgel), Mads Damlund (Dirigent): Historische Aufnahmen: Organ improvisations – Gerben Mourik at the organs in Jægersborg & Stege, Denmark. Daraus: CD 1: Advent in Jægersborg Church. Helikon HCD 1095-96, 2019, Doppel-CD; Rezension auf orgelnieuws.nl (maschinenübersetzt) |
Weblinks: | Orgelvorstellung auf der Website der Kirchengemeinde, YouTube-Kanal
Wikipedia (da), maschinenübersetzt Eintrag beim Dansk Organist og Kantor Samfund Kirchengeschichte in der Festschrift anlässlich des 75jährigen Kirchenjubiläums 2016: Online (PDF; 29 MB) Kirchenbeschreibung auf hovedstadshistorie.dk Zeitungsartikel zur Buchveröffentlichung: „I Jægersborg står der et orgel“ (maschinenübersetzt) – Orglet med den stærke personlighed (maschinenübersetzt) |
Videos
Uropførelse af Jægersborg Orgelbog – Mads Damlund:
Peter Navarro-Alonso: Sång – Mads Damlund:
D. Buxtehude: Præludium E-dur (BuxWV 141) – Inge Bønnerup:
D. Buxtehude: Es spricht der Unweisen Mund wohl (BuxWV187) – Inge Bønnerup:
J.S. Bach: Triosonate Nr. 2 c-Moll BWV 526 - 1965 Recording, DG – Karl Richter:
Karl Richter - Johann Sebastian Bach Orgelwerke Album - Side 1 (Playlist 2 LP):
Karl Richter - Johann Sebastian Bach Orgelwerke Album - Side 4:
Matthias Weckmann Toccata in E Minor (Finn Videro, c. 1949):
Buxtehude Toccata in F Major (Finn Videro, c. 1949):