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Zeile 99: Zeile 99:
 
|ANMERKUNGEN    =
 
|ANMERKUNGEN    =
 
Mads Damlund: ''Om levende blev hvert træ i skov – et portræt af Jægersborg Kirkes orgel.'' Prolog und Vorwort:
 
Mads Damlund: ''Om levende blev hvert træ i skov – et portræt af Jægersborg Kirkes orgel.'' Prolog und Vorwort:
 +
  
 
PROLOGUE
 
PROLOGUE
 
+
<center>''If all the trees in the wood could sing,<br>each leaf as a tongue resounding,<br>they could not outdo the Lord our King<br>his mercy all speech confounding.''<br><br>N.F.S. Grundtvig: from 3rd verse of the hymn<br>''We Welcome with Joy this Blessed Day''</center>
<p>''If all the trees in the wood could sing,<br>each leaf as a tongue resounding,<br>they could not outdo the Lord our King<br>his mercy all speech confounding.''</p>
 
 
 
N.F.S. Grundtvig: from 3rd verse of the hymn
 
''We Welcome with Joy this Blesséd Day''
 
  
  
 
Not many organs have a motto. But the organ of Jægersborg Church has. The organ front is teeming with troll-like creatures, leaves and birds, and on the pipes weird, singing goldfaces have been painted. As if Nature had come alive to burst into a hymn to God.
 
Not many organs have a motto. But the organ of Jægersborg Church has. The organ front is teeming with troll-like creatures, leaves and birds, and on the pipes weird, singing goldfaces have been painted. As if Nature had come alive to burst into a hymn to God.
  
Inside it the organ hides a secret. &bdquo;These years are hard on Denmark&ldquo;, the inscription
+
Inside it the organ hides a secret. &bdquo;These years are hard on Denmark&ldquo;, the inscription reads. For the country was occupied when the organ was being built, and in the organ workshop in Aabenraa the organbuilders could hear English bombers on their way to Flensburg with their ominous cargo.
reads. For the country was occupied when the organ was being built, and in the organ workshop in Aabenraa the organbuilders could hear English bombers on their way to Flensburg with their ominous cargo.
 
  
 
But above the entrance of the organbuilding, great letters read SOLI DEO GLORIA. Glory to God Alone. And so even the best cannot be good enough.
 
But above the entrance of the organbuilding, great letters read SOLI DEO GLORIA. Glory to God Alone. And so even the best cannot be good enough.
Zeile 120: Zeile 116:
 
FOREWORD
 
FOREWORD
  
One bright summer day I paid my first visit to Jægersborg Church and entered a
+
One bright summer day I paid my first visit to Jægersborg Church and entered a gloomy, dark organ loft. Working here must be dreadful, I thought, but changed my mind when I began playing the organ. It possessed a strong personality, magically attracting the player, at the same time being somehow enigmatic.
gloomy, dark organ loft. Working here must be dreadful, I thought, but changed my mind when I began playing the organ. It possessed a strong personality, magically attracting the player, at the same time being somehow enigmatic.
 
  
 
Now, after more than 13 years as an organist of the church, and in connection with the 75 years' jubilee of the organ, the idea came to me to write a book, telling and documenting the story of this organ.
 
Now, after more than 13 years as an organist of the church, and in connection with the 75 years' jubilee of the organ, the idea came to me to write a book, telling and documenting the story of this organ.
  
This story has three leading characters, visionary and strong-willed men - the organbuilders Poul-Gerhard Andersen and and Sybrand Zachariassen, and Finn Viderø, the organist. Together they created the Jægersborg organ in years of great transformations within art, architecture, churchmusic, building and organplaying.
+
This story has three leading characters, visionary and strong-willed men the organbuilders Poul-Gerhard Andersen and Sybrand Zachariassen, and Finn Viderø, the organist. Together they created the Jægersborg organ in years of great transformations within art, architecture, churchmusic, building and organplaying.
  
The story begins with the evolution after the First World War, leading to the Organ
+
The story begins with the evolution after the First World War, leading to the Organ Reform Movement. Next comes the story of building the Jægersborg organ, unfolded in private letters of the organbuilders from 1942–44.
Reform Movement. Next comes the story of building the Jægersborg organ, unfolded in private letters of the organbuilders from 1942-44.
 
 
Two chapters at first deal with organs of great importance of shaping the Jægersborg organ, followed by a guided tour through all of the technical details of the organ.
 
Two chapters at first deal with organs of great importance of shaping the Jægersborg organ, followed by a guided tour through all of the technical details of the organ.
 
We follow the further development of the three key figures, other persons around the organ, and what later happened to the instrument.
 
We follow the further development of the three key figures, other persons around the organ, and what later happened to the instrument.
Zeile 135: Zeile 129:
 
Three guest-writers also have their own chapters. Svend Prip, former cathedral organist in Haderslev, writes about the influence of the Jægersborg organ on later organs, and Frans Brouwer, Dutch organ scholar, writes about the Jægersborg organ and the influence of Danish Organ Reform Movement abroad. Hanne Sander, the former vicar of Jægersborg, relates how theology and music in Jægersborg Church go together.
 
Three guest-writers also have their own chapters. Svend Prip, former cathedral organist in Haderslev, writes about the influence of the Jægersborg organ on later organs, and Frans Brouwer, Dutch organ scholar, writes about the Jægersborg organ and the influence of Danish Organ Reform Movement abroad. Hanne Sander, the former vicar of Jægersborg, relates how theology and music in Jægersborg Church go together.
  
 +
|LITERATUR      =Mads Damlund: ''Om levende blev hvert træ i skov – et portræt af Jægersborg Kirkes orgel.'' Beiträge von Mads Damlund, Frans Brouwer, Svend Prip und Hanne Sander; mit Audio-CD (s.o.). [http://www.slotsforlaget.dk/omtalejaegersborgorglet.htm Slotsforlaget], Store Heddinge 2019, ISBN 978-87-970044-1-8, [https://drive.google.com/file/d/1xTrFGKRxgbDIYyEYfDaypaoKk9VWGt-z/view?usp=drivesdk Inhaltsverzeichnis (PDF)], 207 Seiten, erhältlich auch über die Kirchengemeinde
  
 +
s. orgbase.nl
 +
|DISCOGRAPHIE    = [https://www.jaegersborgkirke.dk/kirken/orgeler/indspilninger s. Website der Kirchengemeinde]
  
 +
''Inhalt der CD des Buches von M. Damlund (s.o.; Registrierungen sind mitgeteilt):''<br>
 +
Mads Damlund:<br>
 +
J.S. Bach (BWV 544/1), S. Scheidt (Warum betrübst du dich), J. Brahms (O Welt, ich muss dich lassen), Peter Navarro-Alonso Kastensson (aus "Jaegersborg Orgelbog" (2017)), Finn Viderø (2 Orgelchorale aus "Min arbejdsbog ved Jaegersborg Kirke": Nu takker alle Gud, Denne er dagen, som Herren har gjort; Passacaglia)
  
|LITERATUR      =Mads Damlund: ''Om levende blev hvert træ i skov – et portræt af Jægersborg Kirkes orgel.'' Beiträge von Mads Damlund, Frans Brouwer, Svend Prip und Hanne Sander. [http://www.slotsforlaget.dk/omtalejaegersborgorglet.htm Slotsforlaget], Store Heddinge 2019, ISBN 978-87-970044-1-8, [https://photos.app.goo.gl/V8Ck2sajiwRWZatz6 Inhaltsverzeichnis], 207 Seiten, erhältlich auch über die Kirchengemeinde
+
Chor und Orgel (Janne Korsager Solvang og Synnöve Ekström (Sopran), Mette Bjærang Petersen (Alt), Love Persson og Kristoffer Emil Appel (Tenor), Kasper Borchersen (Bass), Ruben Munk (Orgel), Mads Damlund (Dirigent):<br>
 +
Pelle Gudmundsem-Holmgreen ("LYS")
  
s. orgbase.nl
+
Historische Aufnahmen:<br>
|DISCOGRAPHIE    = [https://www.jaegersborgkirke.dk/kirken/orgeler/indspilninger s. Website der Kirchengemeinde]
+
Karl Richter: J.S. Bach (BWV 565)<br>
 +
Jørgen Ernst Hansen: J.P. Sweelinck (Echofantasie)<br>
 +
Henrik Glahn: D. Buxtehude (BuxWV 139)<br>
 +
Finn Viderø: J.G. Walther (Choralpartita "Jesu, meine Freude")
  
 
[https://www.discogs.com/de/label/380751-J%C3%A6gersborg-Kirke s. discogs.com]
 
[https://www.discogs.com/de/label/380751-J%C3%A6gersborg-Kirke s. discogs.com]
Zeile 153: Zeile 157:
 
[http://orgbase.nl/scripts/ogb.exe?database=ob2&%250=2004925&LGE=EN&LIJST=lang Eintrag auf orgbase.nl]
 
[http://orgbase.nl/scripts/ogb.exe?database=ob2&%250=2004925&LGE=EN&LIJST=lang Eintrag auf orgbase.nl]
  
Kirchengeschichte in der Festschrift anlässlich des 75jährigen Kirchenjubiläums 2016, [https://www.lokalhistoriegentofte.dk/?download=Jaegersborg%20Kirke.pdf (PDF; 29 MB)]
+
Kirchengeschichte in der Festschrift anlässlich des 75jährigen Kirchenjubiläums 2016: [https://www.lokalhistoriegentofte.dk/?download=Jaegersborg%20Kirke.pdf PDF; 29 MB]
  
 
[https://www.hovedstadshistorie.dk/gentofte/soendersoevej/jaegersborg-kirke/ Kirchenbeschreibung auf hovedstadshistorie.dk]
 
[https://www.hovedstadshistorie.dk/gentofte/soendersoevej/jaegersborg-kirke/ Kirchenbeschreibung auf hovedstadshistorie.dk]
 +
 +
Zeitungsartikel zur Buchveröffentlichung: [https://denkorteavis.dk/2019/308369 &bdquo;I Jægersborg står der et orgel&ldquo;] ([https://denkorteavis-dk.translate.goog/2019/308369/?_x_tr_sl=auto&_x_tr_tl=de&_x_tr_hl=de&_x_tr_pto=wapp Google-übersetzt]) – [https://www.helsingørstift.dk/nyheder/orglet-med-den-staerke-personlighed Orglet med den stærke personlighed] ([https://www-xn----helsingrstift--hnb-dk.translate.goog/nyheder/orglet-med-den-staerke-personlighed?_x_tr_sl=auto&_x_tr_tl=de&_x_tr_hl=de&_x_tr_pto=wapp Google-übersetzt])
  
  

Version vom 25. Dezember 2022, 21:39 Uhr

--tbc--


Marcussen-Orgel in Jægersborg bei Kopenhagen
Orgel im Raum
Prospekt
Orgelbauer: Marcussen & Søn, Aabenraa (DK)
Baujahr: 1944
Geschichte der Orgel: 1982 Restaurierung durch Poul-Gerhard Andersen
Temperatur (Stimmung): leicht ungleichstufig
Windladen: Schleifladen
Spieltraktur: mechanisch
Registertraktur: mechanisch
Registeranzahl: 25
Manuale: 3, C–f3
Pedal: C–f1
Spielhilfen, Koppeln: Koppeln: I/II, III/II, II/P, I/P



Disposition

I Rygpositiv II Hovedværk III Brystværk Pedal
Trægedakt 8'

Principal 4'

Rørfløjte 4'

Quintatøn 2'

Scharf 2f

Krumhorn 8'

Principal 8'

Rørfløjte 8'

Oktav 4'

Gedaktfløjte 4'

Rørquint 22/3'

Oktav 2'

Mixtur 4f

Trompet 8' [1]

Gedakt 8'

Spidsgedakt 4'

Principal 2'

Nazard 11/3'

Cymbel 1f

Ranket 16'

Subbas 16'

Oktav 8'

Gedakt 8'

Fagot 16'

Regal 4'


Anmerkungen
  1. horizontal




Bibliographie

Anmerkungen: Mads Damlund: Om levende blev hvert træ i skov – et portræt af Jægersborg Kirkes orgel. Prolog und Vorwort:


PROLOGUE

If all the trees in the wood could sing,
each leaf as a tongue resounding,
they could not outdo the Lord our King
his mercy all speech confounding.


N.F.S. Grundtvig: from 3rd verse of the hymn
We Welcome with Joy this Blessed Day


Not many organs have a motto. But the organ of Jægersborg Church has. The organ front is teeming with troll-like creatures, leaves and birds, and on the pipes weird, singing goldfaces have been painted. As if Nature had come alive to burst into a hymn to God.

Inside it the organ hides a secret. „These years are hard on Denmark“, the inscription reads. For the country was occupied when the organ was being built, and in the organ workshop in Aabenraa the organbuilders could hear English bombers on their way to Flensburg with their ominous cargo.

But above the entrance of the organbuilding, great letters read SOLI DEO GLORIA. Glory to God Alone. And so even the best cannot be good enough.

This is a portrait of an unusual instrument, and of those who built it, played it and sang with it.


FOREWORD

One bright summer day I paid my first visit to Jægersborg Church and entered a gloomy, dark organ loft. Working here must be dreadful, I thought, but changed my mind when I began playing the organ. It possessed a strong personality, magically attracting the player, at the same time being somehow enigmatic.

Now, after more than 13 years as an organist of the church, and in connection with the 75 years' jubilee of the organ, the idea came to me to write a book, telling and documenting the story of this organ.

This story has three leading characters, visionary and strong-willed men – the organbuilders Poul-Gerhard Andersen and Sybrand Zachariassen, and Finn Viderø, the organist. Together they created the Jægersborg organ in years of great transformations within art, architecture, churchmusic, building and organplaying.

The story begins with the evolution after the First World War, leading to the Organ Reform Movement. Next comes the story of building the Jægersborg organ, unfolded in private letters of the organbuilders from 1942–44. Two chapters at first deal with organs of great importance of shaping the Jægersborg organ, followed by a guided tour through all of the technical details of the organ. We follow the further development of the three key figures, other persons around the organ, and what later happened to the instrument. Historical recordings in Jægersborg have their own chapter, including especially Karl Richter's LP-editions along with instances of recent music for the organ.

Three guest-writers also have their own chapters. Svend Prip, former cathedral organist in Haderslev, writes about the influence of the Jægersborg organ on later organs, and Frans Brouwer, Dutch organ scholar, writes about the Jægersborg organ and the influence of Danish Organ Reform Movement abroad. Hanne Sander, the former vicar of Jægersborg, relates how theology and music in Jægersborg Church go together.

Literatur: Mads Damlund: Om levende blev hvert træ i skov – et portræt af Jægersborg Kirkes orgel. Beiträge von Mads Damlund, Frans Brouwer, Svend Prip und Hanne Sander; mit Audio-CD (s.o.). Slotsforlaget, Store Heddinge 2019, ISBN 978-87-970044-1-8, Inhaltsverzeichnis (PDF), 207 Seiten, erhältlich auch über die Kirchengemeinde

s. orgbase.nl

Discographie: s. Website der Kirchengemeinde

Inhalt der CD des Buches von M. Damlund (s.o.; Registrierungen sind mitgeteilt):
Mads Damlund:
J.S. Bach (BWV 544/1), S. Scheidt (Warum betrübst du dich), J. Brahms (O Welt, ich muss dich lassen), Peter Navarro-Alonso Kastensson (aus "Jaegersborg Orgelbog" (2017)), Finn Viderø (2 Orgelchorale aus "Min arbejdsbog ved Jaegersborg Kirke": Nu takker alle Gud, Denne er dagen, som Herren har gjort; Passacaglia)

Chor und Orgel (Janne Korsager Solvang og Synnöve Ekström (Sopran), Mette Bjærang Petersen (Alt), Love Persson og Kristoffer Emil Appel (Tenor), Kasper Borchersen (Bass), Ruben Munk (Orgel), Mads Damlund (Dirigent):
Pelle Gudmundsem-Holmgreen ("LYS")

Historische Aufnahmen:
Karl Richter: J.S. Bach (BWV 565)
Jørgen Ernst Hansen: J.P. Sweelinck (Echofantasie)
Henrik Glahn: D. Buxtehude (BuxWV 139)
Finn Viderø: J.G. Walther (Choralpartita "Jesu, meine Freude")

s. discogs.com

Weblinks: Orgelvorstellung auf der Website der Kirchengemeinde, YouTube-Kanal

Wikipedia (da), Google-übersetzt

Eintrag beim Dansk Organist og Kantor Samfund

Eintrag auf orgbase.nl

Kirchengeschichte in der Festschrift anlässlich des 75jährigen Kirchenjubiläums 2016: PDF; 29 MB

Kirchenbeschreibung auf hovedstadshistorie.dk

Zeitungsartikel zur Buchveröffentlichung: „I Jægersborg står der et orgel“ (Google-übersetzt) – Orglet med den stærke personlighed (Google-übersetzt)


Uropførelse af Jægersborg Orgelbog, Mads Damlund:


Karl Richter - Johann Sebastian Bach Orgelwerke Album - Side 4: